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Images of Washington often show him an elder statesman, bringing peace and stability to the new nation of the United States after the turmoil of its Revolutionary War.The Museum complements these images with early books and prints that illustrate his life in many aspects and the popular perceptions of him after his death. Coates and on the covers of popular media in the 1930s that celebrated the Bicentennial of Washington’s birth in poster art and merchandising; third, Portraits, foremost the Gilbert Stuart painting as well as engravings such as the famous “Porthole” engraving from , circa 1870; and, last, Washington as Man or Myth, illustrated here in the famous myth: “Father I Cannot Tell a Lie, I Cut the Tree,” in the 1867 engraving by George White.This summer, Kuehnle’s inflatables invade the Hudson River Museum’s limestone Victorian home, Glenview, and the Brutalist concrete spaces in its modern wing, mushrooming in the galleries.The sculptor, who at times can be found inside his huge and popular costumes inflated by 12-volt motor blowers, says, Kuehnle also turns his creativity and mechanical know-how from costumes to site-specific installations that activate the space around them.Her favorite compliment to date, “If you were a potato, you would be a sweet potato.” The Compliment dispenser first made its appearance this fall at New York City’s Art in Odd Places festival and its cheerful mission is the direct output from Harper’s study of design for social causes at the Maryland Institute College of Art.Her work also featured in Site95’s “Transforming New York Street Objects” and FIGMENT Festival NYC make environments eventful and interesting, inviting you to join the fun.The wooden horse soars 22 feet high in the center of the exhibition and is illuminated from within.
By Abraham Lincoln’s time from 1861 to 1865, photographs like paintings less than a century before became the vehicle for showing the president at work. In each, the president is seated, his wife and children surrounding him, a grouping that reflects the 19th-century’s idealization of domestic life and that society’s desire to see its leaders as moral men.If you want to give a compliment, too, there is a box close by in which to place it.Your submitted compliment will be incorporated into a spreadsheet of good words Harper gathers from submissions and online surveys.Massively scaled, these sculptures are put in your way, so that you ask, “Is this space mine, or does it belong this extremely large creature blocking me?” Kuehnle’s message, Kuehnle sculptures, which he makes from vinyl-coated polyester fabric, inflate and deflate, pulsing, and by extension breathing, like an organism.
The city’s first denizens, the Dutch, are “has beens,” unwillingly departed from the city they called New Amsterdam, and now skirmishing with their Iroquois allies in the Hudson Valley nearby to the north.